Imagine our world as a stage, where two different plays are performed. One play is a scientific documentary, focusing on the tangible, objective world around us. The other is a dramatic performance, filled with myths, literature, and drama, which brings to life the world of values and meaning. These two plays may seem like they're at odds, but they're actually part of the same performance.

In the drama of life, there are three main characters. The first is the Great Mother, representing unexplored nature. She's the source of both creation and destruction. The second is the Great Father, symbolizing culture and the wisdom passed down from our ancestors. He provides protection, but can also become a tyrant. The third character is the Divine Son, the individual who bravely explores and bridges the gap between the unknown and the known.

When we face the unknown, it's natural to feel fear. We often imitate the Great Father, sticking to what we know and what's predictable, to protect ourselves. But if we only identify with the group and never step out of our comfort zone, we risk losing our creativity and adaptability. This can lead to increased aggression.

On the other hand, completely rejecting the unknown is like pretending we know everything. This arrogance can lead to a personal hell, as it's through exploring the unknown that we build structures that give our lives meaning. Identifying too much with the group can lead to stagnation, but this can be balanced by staying true to our personal, subjective meaning.

At the crossroads between the known and the unknown, we find our personal meaning. This is where the hero within us emerges, standing up for creativity against the pressure to conform. Identifying with this hero allows us to both be part of the group and transcend it, maintaining a balance between the two.