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Memory & Oblivion

A.W. Reinink, Jeroen Stumpel

1054 Pages
2012

Memory & Oblivion

Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1โ€“7 September 1996

Springer Science & Business Media

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Memory & Oblivion - Summary

Memory & Oblivion is a fascinating compilation of over 130 papers presented at the XXIXth International Congress of the History of Art held in Amsterdam in 1996. This book explores the intricate relationship between memory and oblivion within the context of art history. It delves into various aspects, from the preservation of material artifacts to the social phenomena of art collecting. The book spans a wide range of topics, including the memory of art historians, workshop practices, and the evolution of art from antiquity to modern media.

Key Ideas

1

Preservation and Material Aspects

One of the central themes of Memory & Oblivion is the preservation of art and its material aspects. This theme explores how different cultures and societies have approached the conservation of their artistic heritage. It delves into the techniques and practices used to maintain and restore artworks, ensuring their longevity for future generations.

2

Social Phenomena and Art Collecting

Another significant theme is the social phenomena surrounding art collecting. This theme examines the motivations and behaviors of art collectors, as well as the impact of art collections on society. It explores how art collecting has evolved over time and the role it plays in shaping cultural and social identities.

3

Memory and Oblivion in Art History

The book also delves into the concepts of memory and oblivion within the context of art history. This theme explores how art historians remember and interpret artworks, as well as the factors that contribute to the forgetting or neglect of certain pieces. It examines the role of memory in shaping our understanding of art and the ways in which oblivion can lead to the rediscovery and reevaluation of forgotten works.

FAQ's

Memory & Oblivion primarily explores the relationship between memory and oblivion within the context of art history. It covers a wide range of topics, including the preservation of material artifacts, social phenomena of art collecting, and the evolution of art from antiquity to modern media.

This book is ideal for individuals interested in history, art history, and psychology. It offers a unique perspective on how memory and oblivion shape our understanding of art, making it a valuable resource for scholars, students, and art enthusiasts.

The book discusses several key themes, including the preservation and material aspects of art, the social phenomena surrounding art collecting, and the concepts of memory and oblivion in art history. These themes provide a comprehensive understanding of the various factors that influence the conservation, interpretation, and appreciation of art.

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