Three Trapped Tigers is a celebration of language itself. Infante masterfully blends slang, wordplay, and stream-of-consciousness narration to mirror the energy and rhythm of Cuban culture. The novel revels in the act of storytelling, with characters constantly spinning tales, embellishing memories, and using language to reshape their realities.

The novel plunges into the intoxicating world of Havana's nightclubs, where music, dance, and desire collide. Yet, beneath the surface of glamour and revelry lies a sense of disillusionment and decay. Infante portrays the nightlife as a seductive escape from the political and social realities of the day, but also a breeding ground for anxieties and uncertainties.

While the novel pulsates with the energy of Havana's nightlife, the looming presence of the Cuban Revolution casts a shadow over the narrative. Infante subtly weaves in political commentary through coded language, fragmented narratives, and the characters' anxieties about the future. The impending revolution acts as a constant undercurrent, hinting at the dramatic changes about to sweep through Cuban society.