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"The Oxford Handbook of Music and Medievalism" - Summary
The Oxford Handbook of Music and Medievalism offers a comprehensive exploration of how medievalism has influenced various musical traditions over the past two centuries. Edited by Stephen C. Meyer and Kirsten Yri, this volume brings together thirty-three chapters from international scholars who delve into the representation of the Middle Ages in music. From nineteenth-century opera to contemporary video game music, the book connects diverse musical forms across chronological and geographical boundaries. It examines key works like Orff's Carmina Burana and Peter Jackson's Lord of the Rings films, as well as the influence of medievalism on composers like Richard Wagner and musical groups like Led Zeppelin. This handbook is a treasure trove for anyone interested in the intersections of music, history, and culture, offering new critical insights and serving as a foundation for future scholarship in the field.
Key Ideas
Medievalism in Modern Music
The book explores how the imagery, sounds, and ideologies of the European Middle Ages have been incorporated into modern music. This includes not only classical compositions but also popular music and even video game soundtracks. The influence of medieval themes provides a rich tapestry that enhances the emotional and narrative depth of these musical works.
Interdisciplinary Perspectives
The Oxford Handbook of Music and Medievalism stands out for its interdisciplinary approach. Scholars from historical musicology, popular music studies, music theory, and film studies contribute to a multifaceted understanding of medievalism in music. This broad range of perspectives allows for a more nuanced and comprehensive analysis of the subject.
Cultural and Ideological Intersections
The book delves into how medievalism intersects with various cultural and ideological movements such as nationalism, romanticism, feminism, and spiritualism. By examining these intersections, the handbook provides a deeper understanding of how medieval themes are used to convey complex ideas and emotions in music, making it a valuable resource for both scholars and enthusiasts. <h2>Key Ideas</h2>
Medievalism in Modern Music
The book explores how the imagery, sounds, and ideologies of the European Middle Ages have been incorporated into modern music. This includes not only classical compositions but also popular music and even video game soundtracks. The influence of medieval themes provides a rich tapestry that enhances the emotional and narrative depth of these musical works.
Interdisciplinary Perspectives
The Oxford Handbook of Music and Medievalism stands out for its interdisciplinary approach. Scholars from historical musicology, popular music studies, music theory, and film studies contribute to a multifaceted understanding of medievalism in music. This broad range of perspectives allows for a more nuanced and comprehensive analysis of the subject.
Cultural and Ideological Intersections
The book delves into how medievalism intersects with various cultural and ideological movements such as nationalism, romanticism, feminism, and spiritualism. By examining these intersections, the handbook provides a deeper understanding of how medieval themes are used to convey complex ideas and emotions in music, making it a valuable resource for both scholars and enthusiasts.
FAQ's
The main focus of "The Oxford Handbook of Music and Medievalism" is to explore how medievalism has influenced various musical traditions over the past two centuries, covering a wide range of genres from classical compositions to popular music and video game soundtracks.
The book is edited by Stephen C. Meyer and Kirsten Yri, who have brought together thirty-three chapters from international scholars to provide a comprehensive analysis of medievalism in music.
The book examines a variety of musical works, including key pieces like Orff's Carmina Burana, Peter Jackson's Lord of the Rings films, and the influence of medievalism on composers like Richard Wagner and musical groups like Led Zeppelin.
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